تريكاني

An update to the Great Encyclopaedia, the 10th Appendix is a reflection by Treccani on contemporaneity. Its challenges and problematic issues are analyzed through over 350 keywords assigned to authors of the highest scientific profile and to young scholars who have now established themselves at the international level.^[2][11]

This work is a monumental national biography constructed from over forty thousand biographies of Italians who have contributed to the artistic, cultural, political, scientific, religious, literary and economic history of the country, from the fall of the Western Roman Empire to the present day.

This is a work in 4 volumes, edited by Vincenzo Trione and Valeria Della Valle, supported by an international scientific committee: a survey of the art of our time, with the aim of documenting, in the broadest and most inclusive perspective, the various components that make up the system of art throughout the world. The work catalogues not only the artists themselves, but also art historians, critics and curators, gallerists, merchants and dealers.

In two volumes, edited by Franco Amatori and Marco D'Alberti, this work recounts the most significant entrepreneurial, technological and scientific developments in the history of Italy. "The Stories", with its wide selection of biographies of the most representative industrial enterprises, aims to provide a picture of Italian companies in their variety of size, territory, sector, and governance. "The Context" frames thematic essays that recount the history of Italian enterprise in its complex operating context, in its relationship with institutions and politics, and in the competitive scene of globalization.

Facsimile reproductions of illuminated manuscripts kept in the most important European libraries contribute to the conservation and diffusion of an immense common artistic and literary heritage. The latest publications are those of the magnificent code preserved in Florence in the Laurentian Library, with the signature Plut. 6.23, an 11th–12th-century Gospel book, accompanied by a systematic illustrative apparatus. The 237 folios contain 285 illustrations. As Tania Velmans defines it in the essay published in the volume accompanying the facsimile (Il Tetravangelo della Laurenziana, Florence, Laur. Plut. 6.23, 2020), it is "an almost unique specimen for the abundance of his illustrations, fidelity to the evangelical texts, the will to reconstruct the evangelical story through the image, in an almost integral way" (p. 36).